Speakers Corner vinyylit

Speakers Corner Records

”Speakers Corner Records produces audiophile vinyl LPs in the highest quality and our motto Pure Analogue inspires us since more than 20 years.”

Vinyylilevyt:
35 €/ kpl

Tupla-LP:
60 – 61 €/ kpl

Hinnat sisältävät alv 25.5 %

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chet atkins

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beethoven

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The Dave Brubeck Quartet 

”At Carnegie Hall” – Dave Brubeck (p); Paul Desmond (as); Eugene Wright (b); Joe Morello (dr)

How fortunate that the twelve brilliantly improvised numbers are now available once again on vinyl, having been recorded live at the legendary Carnegie Hall 60 years ago

Recording: February 1963 Carnegie Hall, New York

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blue öyster cult

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Career Of Evil

Subhuman

Dominance And Submission

ME 262

Cagey Cretins

Harvester Of Eyes

Flaming Telepaths

Astronomy

The Butterfield Blues Band

”East-West” – Paul Butterfield (hca, voc); Elvin Bishop, Mike Bloomfield (g); Mark Naftalin (org); Jerome Arnold (b); Billy Davenport (dr)

In 1965, just one year after Paul Butterfield had formed his blues band – named after himself – and launched one of the very best groups among the white Chicago blues community, the band produced this dynamic and visionary album.

Recording: July 1966 at Chess Studios, Chicago (IL), by Jac Holzman

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Johnny Cash

”Johnny Cash At San Quentin” – Johnny Cash (voc, g); June Carter Cash, Carter Family (voc); Bob Wootton (el-g); Marshall Grant (b); W.S. Holland (dr)

At the very zenith of his career, Cash (who himself had committed a few minor offenses) had the idea of singing and playing for the bad guys behind the prison walls for nothing. Initially his suggestion to market the live recording was rejected, but finally his record company decided to release the album ”At Folsom Prison”. Fired by the success of his jailhouse recording, Columbia Records released ”At San Quentin” shortly afterwards. 

Recording: 24 February 1969 live at San Quentin State Prison, USA, by Neil Wilburn and Bob Breault

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A Boy Named Sue

Wanted Man

I Walk the Line

Wreck of the Old 97

San Quentin

Darling Companion

Starkville City Jail

Folsom Prison Blues

Billy Cobham

”Total Eclipse” – Billy Cobham (dr, p, arr); Mike Brecker (fl, ss, ts); Randy Brecker (tp, fgh); Glenn Ferris (tb); Milcho Leviev (keyb); John Abercrombie, Cornell Dupree (g); Alex Blake (b); David Earle Johnson, Sue Evans (perc)

Ever since his time with John McLaughlin’s Mahavishnu Orchestra (1971–1973), the drummer Billy Cobham is one of electric fusion jazz’s greatest heroes. ”Total Eclipse” was the third album he made as a leader within just a few months, and here again he composed all the numbers himself.

Recording: 1974 Atlantic Recording Studios and at Electric Lady Studios, New York, N.Y. by Ken Scott

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A1a Solarization

1b Second Phase 

1c Crescent Sun 

1d Voyage

1e Solarization-Recapitulation

A2 Lunarputians

A3 Total Eclipse

A4 Bandits

B1 Moon Germs

B2 The Moon Ain’t Made Of Green Cheese

B3 Sea Of Tranquility

B4 Last Frontier

The Ornette Coleman Double Quartet

”Free Jazz ” – Ornette Coleman (as); Eric Dolphy (b-cl); Don Cherry, Freddie Hubbard (tp); Charlie Haden, Scott LaFaro (b); Billy Higgins, Ed Blackwell (dr)

The term ’free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album ”Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ’Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition.

Recording: December 1961 in A&R Studios, New York City, by Tom Dowd

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Free Jazz (Part 1)

Free Jazz (Part 2)

Alice Coltrane

”Eternity” – Alice Coltrane (org, hp, el-p; perc, arr, cond); Terry Harrington (ts); Jerome Richardson (ss); George Bohanon (tb); Oscar Brashear (tp); Tommy Johnson (tba); Hubert Laws (fl); Charlie Haden (b); Ben Riley (b, dr); Armando Peraza (cga); a.o

When the brilliant saxophonist John Coltrane died in 1967, the core values of jazz music had long drawn him into the spiritual world (”A Love Supreme”, ”Ascension”, ”Meditations” etc.). His widow and final pianist followed in his footsteps. Alice Coltrane (1937–2007) sought after »cosmic sounds, higher dimensions, astral levels« – she had an important influence on the spiritualised, esoteric music scene of the 1970s.

Recording: August and October 1975 at The Burbank Studios, Burbank, CA, and Westlake Audio, Los Angeles, CA, by Baker Bigsby

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Side One

Spiritual Eternal

Wisdom Eye

Los Caballos

Side Two

Supreme

Morning Worship

Spring Rounds from Rite Of Spring

RY COODER

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Tamp ’Em Up Solid

Tattler

Married Man’s A Fool

Jesus On The Mainline

It’s All Over Now

I’m A Fool For A Cigarette / Feelin’ Good

If Walls Could Talk

Mexican Divorce

Ditty Wa Ditty

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A.

Big Bad Bill Is Sweet William Now 

Face To Face That I Shall Meet Him 

The Pearls / Tia Juana 

The Dream 

Happy Meeting In Glory 

 B. 

In A Mist 

Flashes 

Davenport Blues 

Shine 

Nobody 

We Shall Be Happy

MILES DAVIS

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Recorded live on September 25th in concert “Berliner Jazztage ‘64” at Philharmonic Hall

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Milestones

Autumn Leaves

So What

Walkin’

Theme

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Orbits

Circle 

Footprints 

Dolores 

Freedom Jazz Dance 

Ginger Bread Boy

delaney & bonnie

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A1                                                           Things Get Better 

A2a                                                       Poor Elijah 

A2b                                                       Tribute  

A3                                                           Only You Know And I Know 

A4                                                           I Don’t Want To Discuss It 

B1                                                          That’s What My Man Is For 

B2                                                          Where There’s A Will, There’s A Way 

B3                                                          Coming Home

PAUL DESMOND, GERRY MULLIGAN

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A

All the Things You Are 

Stardust

Two of a Mind

B

Blight of the Fumble Bee 

The Way You Look Tonight 7:17

Out of Nowhere

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AL DI MEOLA

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A. 

Egyptian Danza 

Chasin The Voodoo 

Dark Eye Tango 

B. 

Señor Mouse

Fantasia Suite For Two Guitars (Viva La Danzarina; Guitars Of The Exotic Isle; Rhapsody Italia; Bravoto Fantasia) 

Casino

The Doobie Brothers

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A1 Natural Thing

A2 Long Train Runnin’

A3 China Grove

A4 Dark Eyed Cajun Woman

A5 Clear As The Driven Snow

B1 Without You

B2 South City Midnight Lady

B3 Evil Woman

B4 Busted Down Around O’Connelly Corners

B5 Ukiah

B6 The Captain And Me

DVORAK

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Side 1  

Antonin Dvork  

Opus 104  

Allegro  

Side 2  

Antonin Dvork  

Opus 104  

Adagio ma non troppo  

Side 3  

Antonin Dvork  

Opus 104  

Finale. Allegro moderato  

Side 4  

Max Bruch  

Kol Nidrei, Opus 47

EARTH, WIND & FIRE

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Original soundtrack from the big shore production “that’s the way of the world”

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A1                                                           Getaway

A2                                                           On Your Face 

A3                                                           Imagination

A4                                                           Spirit

B1                                                          Saturday Nite 

B2                                                          Earth, Wind & Fire 

B3                                                          Departure

B4                                                          Biyo

B5                                                          Burnin’ Bush

THE BILL EVANS 

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Funkallero 

The Two Lonely People 

Sugar Plum 

Waltz For Debby 

T.T.T. (Twelve Tone Tune) 

Re: Person I Knew 

Comrade Conrad 

Waltz For Debby—Alternate 

Re: Person I Knew—Alternate 

Funkallero—Alternate

FLEETWOOD MAC

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Need Your Love So Bad

Coming Home

Rambling Pony

The Big Boat

I Believe My Time Ain’t Long

The Sun Is Shining

Albatross

Black Magic Woman

Just The Blues

Jigsaw Puzzle Blues

Looking For Somebody

Stop Messin’ Round

ARETHA FRANKLIN 

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A.

Won’t Be Long

Over The Rainbow

Love Is The Only Thing

Sweet Lover

All Night Long

Who Needs You?

B

Right Now

Are You Sure

Maybe I’m A Fool

It Ain’t Necessarily So

(Blue) By Myself

Today I Sing The Blues

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A1                                                           Respect

A2                                                           Love The One You’re With 

A3                                                           Bridge Over Troubled Water 

A4                                                           Eleanor Rigby 

A5                                                           Make It With You 

A6                                                           Don’t Play That Song 

B1                                                          Dr. Feelgood 

B2                                                          Spirit In The Dark 

B3                                                          Spirit In The Dark (Reprise With Ray Charles) 

B4                                                          Reach Out And Touch (Somebody’s Hand)

Al Green

”Call Me” – Al Green (voc); James Mitchell (bs, arr); Andrew Love (ts); Jack Hale (tb); Wayne Jackson (tp); Mabon Hodges (g); Charles Hodges (keyb); Archie Turner (p); Leroy Hodges (b); Howard Grimes (dr); The Memphis Strings; a.o.

A combination of ’sweet’ and ’funky’ is the secret of Al Green’s gloriously sentimental and sensual pop songs, which in the sexually free Seventies were often referred to as »songs to make love by«. What swings along gently is, however, Al Green’s subtly controlled falsetto, which he can tone right to the threshold of audibility. But watch out! This music belts out some fiery sounds right from the very first number

Recording: 1973 at Royal Recording Studios, Memphis, TN, by Willie Mitchell

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A1 Call Me (Come Back Home)

A2 Have You Been Making Out O.K.

A3 Stand Up

A4 I’m So Lonesome I Could Cry

A5 Your Love Is Like The Morning Sun

B1 Here I Am (Come And Take Me)

B2 Funny How Time Slips Away

B3 You Ought To Be With Me

B4 Jesus Is Waiting

Buddy Guy & Junior Wells

”Play The Blues” – Junior Wells (voc, hca); Buddy Guy (voc, g); A.C. Reed (ts); Dr. John, Seth Justman (p); J. Geils, Eric Clapton (g); Carl Dean Radle, Danny Klein, Leroy Stewart (b); Jim Gordon, Roosevelt Shaw, Stephen Bladd (dr); a.o.

With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine’s list “100 Greatest Guitarists of All Time”, and several times he was awarded one of the coveted Grammy awards.

Recording: October 1970 at Criteria Studios, Miami (FL), by Ron Albert and April 1972 at Intermedia Studios, Boston (MA), by Richard Oulleppe

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Side One

A Man Of Many Words

My Baby Left Me (She Left Me A Mule To Ride)

Come On In This House / Have Mercy Baby

T-Bone Shuffle

A Poor Man’s Plea

Side Two

Messin’ With The Kid

This Old Fool

I Don’t Know

Bad Bad Whiskey

Honeydripper

HERBIE HANCOCK

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Introduction & Maiden Voyage 

Actual Proof 

Spank-A-Lee

Watermelon Man 

Butterfly 

Chameleon 

Hang Up Your Hang Ups

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SIDE A: 

01. Hang Up Your Hang Ups 

02. Sun Touch 

03. The Traitor 

SIDE B: 

01. Bubbles

02. Steppin’ In It 

03. Heartbeat

HOLST

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Mars, the Bringer of War 

Venus, the Bringer of Peace 

Mercury, the Winged Messenger 

Jupiter, the Bringer of Jollity 

Saturn, the Bringer of Old Age 

Uranus, the Magician 

Neptune, the Mystic

John Lee Hooker

”Don’t Turn Me From Your Door” – John Lee Hooker (g, voc), Earl Hooker, Eddie Kirkland (g), a.o.

The numbers on this LP bear witness to the fact that Hooker’s musical language could stir one’s emotions deeply, even without the meaty ’boom boom’. Each title is like a raw diamond, which is intentionally uncut and is to be perceived with directness.

Recording: 1953 in Cincinnati (OH) and July 1961 in Miami (FL) in Mono

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A1 Stuttering Blues

A2 Wobbling Baby

A3 You Lost A Good Man

A4 Love My Baby

A5 Misbelieving Baby

A6 Drifting Blues

B1 Don’t Turn Me From Your Door

B2 My Baby Don’t Love Me

B3 I Ain’t Got Nobody

B4 Real Real Gone

B5 Guitar’ Lovin Man

B6 Talk About Your Baby

Freddie Hubbard

”Backlash” – Freddie Hubbard (fgh, tp); James Spaulding (as, fl); Albert Dailey (p); Bob Cunningham (b); Ray Appleton (dr); Ray Barretto (perc)

After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled ”Backlash”, is still until today the best of the bunch.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber

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”In Concert” – Freddie Hubbard (tp); Stanley Turrentine (sax); Eric Gale (g); Herbie Hancock (p); Ron Carter (b); Jack DeJohnette (dr)

The producer was certainly on the ball when he recorded a concert with CTI stars on a short tour of the USA in 1973. Thus the beginning of the jazz-rock era was documented in jazz’s country of origin. Liberated from the often-sterile atmosphere in a studio, Freddie Hubbard, Stanley Turrentine and friends (here also without a sometimes stifling studio band) could exhibit their amazing improvisational talents as soloists in lengthy works.

Recording: March 1973 live at Chicago Opera House and Ford Auditorium, Detroit, by Charles Buchanan. Remixed by Rudy Van Gelder

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Vol. 1                  

Povo (Detroit) 

Gibraltar (Chicago)

Vol. 2                  

Hornets (Chicago)

Interlude 

Hornets (Detroit) 

Gibraltar (Detroit)

milt jackson

Whenever Milt Jackson could free himself from the ’bondage’ of the Modern Jazz Quartet and its assertive leader John Lewis, he dedicated himself to his two great passions: ballads and the blues. 

Recording: January 1956 in New York City by Tom Dowd and February 1956 at Rudy Van Gelder Studio in Hackensack, New Jersey, by Rudy Van Gelder in mono.

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So In Love

These Foolish Things

Solitude

The Song Is Ended

They Didn’t Believe Me

How High The Moon

Gerry’s Blues

Hello

Bright Blues

 

Antonio Carlos Jobim

”Stone Flower” – Antonio Carlos Jobim (p, el-p, v, voc, g); Joe Farrell (ss); Urbie Green (tb); Hubert Laws (fl); Eumir Deodato (g, arr, cond); Harry Lookofsky (v); Ron Carter (b); Airto Moreira, Everaldo Ferreira (perc); João Palma (dr)

With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!

Recording: June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA

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Brazil

Stone Flower

God And The Devil In The Land Of The Sun

Sabia

Choro

Andorinha

Amparo

Children’s Games

Tereza My Love

elvin jones

”Midnight Walk” – Hank Mobley (ts); Thad Jones (tp); Dollar Brand (p); Steve James (el-p); George Abend (perc); Elvin Jones (dr)

It was certainly a motley crew that came together with Elvin Jones, the legendary ex-Coltrane drummer, in the New York Atlantic Studio in March 1966. His trumpeter brother Thad was first class, but Dollar Brand on the piano, Don Moore on the bass and sax player Hank Mobley, who always came up as second choice behind John Coltrane?

Recording: March 1966 in New York City by Tom Dowd

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Midnight Walk                             

Lycra Too?

Tintiyana

H.M. On F.M.                                

Cross Purpose

All Of Us

The Juggler

JANIS JOPLIN

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1.                            Try (Just A Little Bit Harder) 

2.                            Maybe 

3.                            One Good Man 

4.                            As Good As You’ve Been To This World 

5.                            To Love Somebody 

6.                            Kozmic Blues 

7.                            Little Girl Blue 

8.                            Work Me, Lord

 

Yusef Lateef

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura nd also – as in this case – in his blues compositions.

Recording: April 1968 in RCA Studios, New York City by Ray Hall

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A1 Juba Juba

A2 Like It Is

A3 Othelia

A4 Moon Cup

B1 Back Home

B2 Get Over, Get Off And Get On

B3 Six Miles Next Door 

B4 Sun Dog      

LITTLE FEAT

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A1                                                           Hi Roller 

A2                                                           Time Loves A Hero 

A3                                                           Rocket In My Pocket 

A4                                                           Day At The Dog Races 

B1                                                          Old Folks Boogie                      

B2                                                          Red Streamliner                        

B3                                                          New Delhi Freight Train       

B4                                                          Keepin’ Up With The Joneses

B5                                                          Missin’ You    

The Charles Lloyd

It might be hard to believe but there was once a jazz musician who was well known and well loved even in the global flower-power pop scene – and not just in San Francisco’s Haight Ashbury. The name was and is Charles Lloyd. 

Recording: July 1966 live at Aulaen Hall, Oslo (Norway) by Meny Bloch

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”Forest Flower” – Charles Lloyd (ts, fl); Keith Jarrett (p); Cecil McBee (b); Jack DeJohnette (dr)

Of particular note is the rich interplay, the energy that is palpable throughout, the perfect harmony in each and every change of mood, and the intensity. Even 50 years later, it is quite clear that Charles Lloyd managed to break down the barriers between pop and jazz

Recording: September 1966 live at Monterey Jazz Festival by Wally Heider

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A1 Forest Flower – Sunrise

A2 Forest Flower – Sunset

B1 Sorcery

B2 Song Of Her

B3 East Of The Sun

The Mahavishnu Orchestra

”The Inner Mounting Flame” – John McLaughlin (g); Jan Hammer (p); Jerry Goodman (v); Rick Laird (b); Billy Cobham (dr)

The liner notes for ”The Inner Mounting Flame” were written by the guru Sri Chinmoy – now that’s a real sales point! The music too burns right from the very first note to the last as though it were licked by the flames of hell fire.

But what is certain is that this music from 1971 is still amazingly fresh and creative even 36 years later – and luckily it is available once again in the form of a vinyl disc.

Recording: August 1971 in New York City by Don Puluse

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Meeting Of The Spirits

Dawn

The Noonward Race

A Lotus On Irish Streams

Vital Transformation

The Dance Of Maya

You Know You Know

Awakening

”Birds Of Fire” – John McLaughlin (g); Jerry Goodman (v); Jan Hammer (keyb, synth); Rick Laird (b); Billy Cobham (dr)

Of the three ’incarnations’ by the spiritually inspired Mahavishnu Orchestra, the first is the most full-bodied. The enlightened John McLaughlin and his musicians were immortalized through their début album ”The Inner Mounting Flame”, which was included in the list of the 100 Best Jazz Albums; a short time later they recorded their highly concentrated studio compilation ”Birds Of Fire”. Long before today’s saleably labelled World Music, the quintet set the standards for a meaningful amalgamation of dynamic rock with complex Indian rhythms and occidental conventions.

Recording: August 1972 at Trident Studios, London, by Ken Scott and CBS-Studios, New York, by Jim Green

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Side 1

Birds Of Fire

Miles Beyond (Miles Davis)

Celestial Terrestrial Commuters

Sapphire Bullets Of Pure Love

Thousand Island Park

Hope

Side 2

One Word

Sanctuary

Open Country Joy

Resolution

HENRY MANCINI

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A1 Peter Gunn 

A2 Sorta Blue 

A3 The Brothers Go To Mother’s 

A4 Dreamsville

A5 Session At Pete’s Pad 

A6 Soft Sounds 

B1 Fallout!  

B2 The Floater 

B3 Slow And Easy 

B4 A Profound Gass 

B5 Brief And Breezy 

B6 Not From Dixie

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The Pink Panther Theme

It Had Better Be Tonight (Meglio Stasera) (Instrumental)

Royal Blue

Champagne And Quail

The Village Inn

The Tiber Twist

It Had Better Be Tonight (Meglio Stasera) (Vocal)

Cortina

The Lonely Princess

Something For Sellers

Piano And Strings

Shades Of Sennett

Herbie Mann

”Herbie Mann At The Village Gate” – Herbie Mann (fl); Hagood Hardy (vib); Ahmad Abdul-Malik, Ben Tucker (b); Rudy Collins (dr); Chief Bey (dr, perc); Ray Mantilla (cga, perc)

Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

Recording: November 1961 live at The Village Gate, New York City by Tom Dowd & Phil Lehle

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Comin’ Home Baby

Summertime

It Ain’t Necessarily So

CHARLES MINGUS

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A. 

Wednesday Night Prayer Meeting 

Prayer For Passive Resistance  

B. 

What Love? 

C. 

I’ll Remember April 

D. 

Folk Forms I 

Better Git Hit In Your Soul

”Pithecanthropus Erectus” – Jackie McLean (as); J.R. Monterose (ts); Mal Waldron (p); Charlie Mingus (b); Willie Jones (dr)

It was a fairly ordinary quintet that entered the Audio-Video Studios in New York City on 30 January 1956: one tenor saxophone, one alto saxophone, a pianist, a drummer and … you guessed: an extraordinary man on the double bass!

Recording: January 1956 at Audio-Video Studios, New York City by Tom Dowd & Hal Lustig in mono

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A1 Pithecanthropus Erectus

Written-By – Charles Mingus

A2 A Foggy Day

Written-By – George & Ira Gershwin

B1 Profile Of Jackie

Written-By – Charles Mingus

B2 Love Chant

Written-By – Charles Mingus

”The Clown” – Charles Mingus (b); Curtis Porter (as, ts); Jimmy Knepper (tb); Wade Legge (p); Dannie Richmond (dr); Jean Shepherd (voc)

And if you haven’t heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. ”The Clown” was, and still is, an absolute must-have for every jazz collector.

Recording: Februay and March 1957 in New York City by Tom Dowd and Larry Hiller in mono

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A1 Haitian Fight Song

A2 Blue Cee

B1 Reincarnation of A Lovebird

B2 The Clown

”Tijuana Moods” – Charlie Mingus (b); Curtis Porter (as); Jimmy Knepper (tb); Clarence Shaw (tp); Bill Triglia (p); Dannie Richmond, Frankie Dunlop (perc); Danny Richmond (dr), Lonnie Elder (voices)

When this LP was released in 1962, it was honoured with the maximum number of stars that Downbeat, the most famous of all jazz magazines, could award. And nota bene the recordings were already five years old! Is there any better proof that the composer and arranger Charlie Mingus was ahead of his time? As a double bassist he was rather less virtuosic than his fellow musicians – and not just on these recordings.

Recording: July and August 1957 in RCA Victor’s Studio A, New York City, by Bob Simpson

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Kappaleluettelo

Side 1

Dizzy Moods

Ysabel’s Table Dance

Side 2

Tijuana Gift Shop

Los Mariachis (The Street Musicians)

Flamingo

The Modern Jazz Quartet

”Fontessa” – John Lewis (p); Milt Jackson (vib); Percy Heath (b); Connie Kay (dr)

”Fontessa” offers diversified and intense music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson’s blues influence inspired John Lewis perceptibly to forget all about discipline.

Recording: January and February 1956 by Rudy Van Gelder in mono

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Versailles (Porte De Versailles)

Angel Eyes

Fontessa

Over The Rainbow 

Bluesology

Willow Weep For Me

Woodyn You

THELONIOUS MONK

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A1 Lulu’s Back In Town 

A2 Memories Of You 

A3 Stuffy Turkey 

B1 Brake’s Sake 

B2 Nice Work If You Can Get It 

B3 Shuffle Boil

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1-levy 

Straight, No Chaser 

Pannonica 

Just a Gigolo 

Evidence 

Jackie-Ing 

Bemsha Swing 

Epistrophy 

2-levy 

I’m Getting Sentimental Over You 

Hackensack 

Blue Monk 

Epistrophy

CARL ORFF

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A1 Fortuna Imperatrix Mundi 

A2 I. Primo Vere (Uf Dem Anger) 

A3 II. In Taberna: Estuans Interius 

B1 II. In Taberna: Olim Lacus Colueram · Ego Sum Abbas · In Taberna Quando Sumus 

B2 III. Cour D’amour (Blanziflor Et Helena)

THE ALAN PARSONS PROJECT

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A1 May Be A Price To Pay 

A2 Games People Play 

A3 Time

A4 I Don’t Wanna Go Home 

B1 The Gold Bug 

The Turn Of A Friendly Card 

B2-i The Turn Of A Friendly Card (Part One) 

Lead Vocals – Chris Rainbow  

B2-ii Snake Eyes 

B2-iii The Ace Of Swords 

B2-iv Nothing Left To Lose 

B2-v The Turn Of A Friendly Card (Part Two)

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A1 Sirius (Instrumental) 

A2 Eye In The Sky 

A3 Children Of The Moon 

A4 Gemini

A5 Silence And I 

B1 You’re Gonna Get Your Fingers Burned 

B2 Psychobabble

B3 Mammagamma (Instrumental) 

B4 Step By Step 

B5 Old And Wise 

OSCAR PETERSON

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A

Gravy Waltz 3:18

Squeaky’s Blues 7:27

Let’s Fall in Love 4:26

Stella by Starlight 5:14

Moanin’ 5:36

B

Put on a Happy Face 6:32

I Will Wait for You 6:52

Never Say Yes 5:22

L’Impossible 6:54

My Romance

Lou Reed

”Transformer” – Lou Reed (voc, g, arr), Mick Ronson (voc, g, p, arr); David Bowie (voc, arr); Ronnie Ross (sax); Klaus Voorman (b), Herbie Flowers (tu, b); John Halzey, Barry Desouza; Ritchie Dharma (dr); a.o.

The album ”Transformer” can by no means be classified as a case of ‘acoustic bodily harm’. It appeared just a few months after the somewhat unsuccessful appearance of Lou Reed’s fairly underground first release and rocketed straight into the charts. This production had two British guardian angels to help it on its way, namely David Bowie and Mick Ronson, both of whom obviously knew how to steer Reed’s songwriting qualities into safe waters, without watering down his biting sarcasm and humorous provocation.

Recording: 1972 by Arun Chakranerty

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Vicious

Andy’s Chest

Perfect Day

Hangin’ Round

Walk On The Wild Side

Make Up

Satellite Of Love

Wagon Wheel

New York Telephone Conversation

I’m So Free

Goodnight Ladies

C. Santana & J. McLaughlin

”Love Devotion Surrender” – Mahavishnu John McLaughlin (g, p); Carlos Santana (g); Larry Young (org); Doug Rauch (b); Armando Peraza (cga); Billy Cobham, Don Alias, Jan Hammer, Mike Shrieve (dr) ”Love Devotion Surrender” – Mahavishnu John McLaughlin (g, p); Carlos Santana (g); Larry Young (org); Doug Rauch (b); Armando Peraza (cga); Billy Cobham, Don Alias, Jan Hammer, Mike Shrieve (dr)

For some, ”Love Devotion Surrender” is an album where, exceptionally, John McLaughlin plays the piano and organist Jan Hammer plays the drums. For others, it is the most spiritual album ever by Carlos Santana. And though both disciples were shown the way and inspired by the same guru (Sri Chinmoy) at one and the same time, this album is filled with the spirit of John Coltrane. In order to communicate their differing understanding and interpretation of Trane’s music, the two musicians formed a ’project band’ made up of members of Santana’s ensemble and the Mahavishnu Orchestra.

Recording: 1973 by Glen Kolotkin

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A1 A Love Supreme

A2 Naima

A3  The Life Divine

B1 Let Us Go Into The House Of The Lord

B2 Meditation

SANTANA

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A. 

Going Home 

Love, Devotion & Surrender 

Samba De Sausalito 

When I Look Into Your Eyes 

Yours Is The Light 

B. 

Mother Africa 

Light Of Life 

Flame–Sky 

Welcome

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Spring Manifestations (Sound Effects) 

Canto De Los Flores 

Life Is Anew 

Give And Take 

One With The Sun 

Aspirations

Practice What You Preach 

Mirage 

Here And Now 

Flor De Canela 

Promise Of A Fisherman 

Borboletta

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A. 

Dance Sister Dance (Baila Mi Hermana) 

Take Me With You 

Let Me 

B. 

Gitano 

Tell Me Are You Tired 

Europa (Earth’s Cry Heaven’s Smile) 

Let It Shine

BOZ SCAGGS

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A1 I’m Easy

A2 I’ll Be Long Gone

A3 Another Day (Another Letter)

A4 Now You’re Gone

A5 Finding Her

A6 Look What I Got

B1 Waiting For A Train

B2 Loan Me A Dime

B3 Sweet Release

carly simon

”No Secrets” – Carly Simon (voc, g, p); Jimmy Ryan (g,b); Bobby Keys (ts); Lowell George (g); Kirby Johnson (el-p); Peter Robinson (p); Bill Payne (org); Klaus Voorman (b); Andy Newmark, Jim Keltner (dr); a.o. & orchestra & backing vocals

Carly Simon’s unquestionably best album, ”No Secrets”, was also her commercial breakthrough. It topped the Billboard charts for over five weeks, thus quickly gaining gold status, as did the single release of ”You’re So Vain”.

Recording: September – October 1972 at Trident Studios, London, by Robin Geoffrey Cable

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Side one:

The Right Thing To Do

The Carter Family

You’re So Vain

His Friends Are More Than Fond Of Robin

We Have No Secrets

Side two:

Embrace Me, You Child

Waited So Long

It Was So Easy

Night Owl

When You Close Your Eyes

SIMON & GARFUNKEL

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A. 

The Sound Of Silence 

The Singleman Party Foxtrot 

Mrs. Robinson 

Sunporch Cha-Cha-Cha 

Scarborough Fair / Canticle (Interlude) 

On The Strip 

April Come She Will 

The Folks 

 B. 

Scarborough Fair / Canticle 

A Great Effect 

The Big Bright Green Pleasure Machine 

Whew 

Mrs. Robinson 

The Sound Of Silence

NINA SIMONE

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A. 

Seems I’m Never Tired Lovin’ You 

Nobody’s Fault But Mine 

I Think It’s Going To Rain Today 

Everyone’s Gone To The Moon 

Compensation

B. 

Who Am I 

Another Spring 

The Human Touch 

I Get Along Without You Very Well (Except Sometimes) 

The Desperate Ones

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A. 

My Sweet Lord 

Today Is A Killer 

B. 

Poppies 

Isn’t It A Pity

Patti Smith

”Horses” – Patti Smith (g,voc); Richard Sohl (p); Lenny Kaye (b, g, voc); Tom Verlaine, Allen Lanier (g); Ivan Kral (b, g, keyb, voc); Jay Dee Daugherty (dr)

Patti Smith, »the first published poet to move her poetry completely into rock ’n’ roll and to entice experimental rock fans into the forbidden cinema of her hallucinatory fantasy« (New York Times), began her musical career unconventionally. In 1975, encouraged by her success, Patti Smith released ”Horses”, an album in which she fused rock riffs and spoken rhythms to create a punk-trash sound. 

Recording: January 1975 at Electric Ladyland Studios, New York City, by Bernie Kirsh

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toto

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A. 

Rosanna 

Make Believe 

I Won’t Hold You Back 

Good For You 

It’s A Feeling 

B. 

Afraid Of Love 

Lovers In The Night 

We Made It 

Waiting For Your Love 

Africa

TCHAIKOVSKY

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                                 Scene (Allegro Giusto)         

A2 Valse

A3 Scene (Allegro Moderato) 

A4 Pas De Trois 

B1 Pas De Deux 

B2 Pas D’Action 

B3 Sujet

B4 Danse Des Coups 

B5 Finale

C1 Scene (Moderato-Piu Mosso) 

C2 Scene (Allegro Moderato-Moderato-Piu Mosso-Allegro Vivo) 

C3 Scene (Allegro Moderato Assai Quasi Andante) 

C4 Danses Des Cygnes 

C5 Scene Finale (Moderato-Piu Mosso) 

D1 Allegro Giusto 

D2 Danses Du Corps De Ballet Et Des Nains 

D3 Scene (La Sortie Des Invites Et La Valse) 

D4 Scene (Allegro-Allegro Giusto) 

D5 Pas De Six 

E1 New Pas De Deux (Rst. Peter March) 

E2 Danse Hongroise.Czardas 

E3 Danse Russe 

E4 Danse Espagnole 

E5 Danse Napolitane 

E6 Mazurka

E7 Scene (Allegro-Valse-Allegro Vivo) 

F1 Entr’ Acte (Moderato) 

F2 Scene (Allegro Non Troppo) 

F3 Danses Des Petits Cygnes Valse-Bluette 

F4 Scene (Allegro Agitato-Molto Meno Mosso-Allegro Vivace) 

F5 Scene Finale (Andante-Allegro Agitato-Moderato E Maestoso-Meno mosso-Moderato)

Weather Report 

”Weather Report Live In Tokyo” – Wayne Shorter (ss, ts); Joe Zawinul (p, el-p); Miroslav Vitous (b, el-b); Eric Gravatt (dr); Don Um Romao (perc)

Do you remember what you did you on the evening of 13 January 1972? A multitude of Japanese jazz lovers walked or drove to the grand Shibuya Public Hall in Tokyo where they enjoyed a veritable firework display of a concert, which was – without exaggeration – a milestone in the history of jazz.

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Medley: Vertical Invader – Seventh Arrow – T. H. – Doctor Honoris Causa

Medley: Surucucu – Lost – Early Minor – Direction

Orange Lady

Medley: Eurydice – The Moors

Medley: Tears – Umbrellas         

Johnny Winter

”Johnny Winter” – Johnny Winter (g, hca, voc); Edgar Winter (p, as); Albert Wynn Butler (ts); Karl Garin (tp); Norman Ray (bs); Walter ’Shakey’ Horton (hca); Willie Dixon, Tommy Shannon (b); ’Uncle’ John Turner (dr, perc); a.o.

Winter remains pretty cool when people attempt to identify personal afflictions in his music: »When I play blues, I feel good« he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.

Recording: 1969

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Side 1

I’m Yours And I’m Hers

Be Careful With A Fool

Dallas

Mean Mistreater

Side 2

Leland Mississippi Blues

Good Morning Little School Girl

When You Got A Good Friend

I’ll Drown In My Tears

Back Door Friend                

BILL WITHERS

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A1 Harlem

A2 Ain’t No Sunshine

A3 Grandma’s Hands 

A4 Sweet Wanomi 

A5 Everybody’s Talkin’ 

A6 Do It Good

B1 Hope She’ll Be Happier      

B2 Let It Be  

B3 I’m Her Daddy

B4 In My Heart

B5 Moanin’ And Groanin’          

B6 Better Off Dead                         

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